This week, I will be explaining how small independent Developers are beginning to rise in the industry as the massive Triple-A Publishers start to decline. This will be a companion post to my piece from last week titled The Decline of Triple-A Publishers,which you can find on my site.
I would like to thank my friend Alex for suggesting I do this as a follow up piece. He runs his own site and YouTube Channel where he vlogs about his life in British Columbia. His latest video can be found here:
As Triple-A Publishers begin to decline and the gaming market begins to crash, this could and most likely will allow for smaller independent Developers to expand and take over the market. There are plenty of examples of indie Developers making it on their own but first, I’m going to talk about an independent Developer that is a favourite of mine, CD Projekt Red.
CD PROJEKT RED
CD Projekt Red is a Polish video game Developer and Publisher best known for the Witcher series of video games. It was founded in 1994 in Warsaw, Poland by Marcin Iwiñski and Michał Kiciñski who both worked as video game retailers before founding CD Projekt Red. Their first project was to translate major western video games, the Baldur’s Gate games, into Polish. When the project ultimately fell through they used the coding from it to begin their own original project, Witcher, based on the novels by Andrzej Sapkowski. Their first stab at the Witcher, universe didn’t prove as fruitful as they hoped it would and the company was nearly forced to declare bankruptcy; the 2007/2008 Financial crisis also had a lot to do with the threat of bankruptcy. Through their own perseverance they produced the second game in the series Witcher II: Assassin of Kings and the small studio began to increase their success. When the third installment was released, Witcher III: Wild Hunt the company received global praise for what they had done. They were named developer of the year with their game being named game of the year. They released several free DLC packs for the game along with two free full expansions, Hearts of Stone and Blood and Wine, the latter being widely considered one of the best DLC expansions ever made.
The company expanded opening a second office in Wrocław Poland in March of 2018, to assist in the development of their new IP, Cyberpunk 2077.
WHAT MAKES THEM DIFFERENT?
CD Projekt Red has long said that the players are their priority. The support and praise from the fan base helps to drive them forward and to encourage them to constantly develop new and expansive content. They also consider themselves to be “rebels” in the sense that they do not partner with any of the Triple-A Publishing companies. Instead they deal with all aspects of game development, publishing and distribution themselves. The studio follows the work philosophy which was made famous by Rockstar Games, rather than having a lot of small projects splitting your workforce, the entire studio focuses on one project to deliver the best possible content. They focus on quality over quantity and believe that by delivering a quality product the revenue will return due to the appreciation of the fans. Open communication is a large aspect of the company’s core values, this means that all financial details on project creation (development, marketing, distribution) are public knowledge.
” The moment we start becoming conservative [and] stop taking creative risks and business risks, and stop being true to what we’re doing, that’s when we should worry. And I am not worried. Our values and our care for what we are doing and – hopefully what gamers would agree with – care for gamers is what drives this company forward. It’s my personal horror to become a faceless behemoth of game development or publishing or whatnot. As long as I am here I will be fighting for this not to happen.
— CD Projekt Red founder Marcin Iwiński
Epic Games was founded by Tim Sweeney in 1991. It was originally called Potomac Computer Systems but changed its name to Epic MegaGames in 1992. They focused primarily on computer games from their founding up until 2006. In 2006, the game industry was suffering due to copyright infringement cases from various parties and the bloom of video game piracy. The company decided to branch into console games and in 2006, the delivered Gears of War. The Gears series would go on to become one of Xbox’s biggest properties and earn the company dozens of awards and accolades for it’s content and style. Prior to their fame with Gears, Epic was known for the manufacturing of the Unreal Game Engine, and the Unreal game series. Mostly though, people know Epic Games for one singular property which has been plaguing the gaming community for almost 2 years now, that would be Fortnite Battle Royale.
Epic Games focuses on third person shooter games, which is prevalent given their library of releases. Recently, as in December 4, 2018, Epic launched their own digital game store in contention with Valve’s Steam which has been operating for many years already. Steam has long held the title of PC gaming store front, and is now having to compete with the new Epic Games store. Compete may be a strong word, tolerate is more accurate. For the most part Epic has tried to stay away from large Triple-A publishing companies instead choosing to focus on smaller more independent companies for publishing purposes. While they have partnered with the likes of Atari, Microsoft, and EA in the past, their two most successful properties have been developed and published in house.
WHAT MAKES THEM DIFFERENT?
The main thing that make Epic Games different from other Developers and Publishers, is their new Epic Game store. The store itself is nothing spectacular, like at all. If anything, it’s a far cry from the Steam store which has fine tuned the necessities of an online digital game store. The main thing that the Epic games store has over the Steam store, is their profit sharing. If a Developer wishes to release a new product they’ve been working on for years on the Steam store, they must allow Steam to take a 30% cut of the sale profits of that product in order to sell it on their site/app/program. To most Developers, 30% is nothing. Some companies spend more than that just on advertising alone, but to smaller indie Developers, that can make or break their release. Epic has realized the gap and in order to provide a competitive market and a space for indie Developers to deliver their content to a large fan base, their store only takes a 12% cut on sale proceeds. This cut means a much larger return to the Developers to ensure they continue to produce quality output. This smaller cut has allowed them to obtain exclusive contracts with 4A Games and Ubisoft. The former putting their new release Metro: Exodus on the new store and the latter putting Division 2. While these games may eventually make their way to the Steam store, they won’t be permitted to arrive there until at least this time in 2020.
There are a lot of people who are not happy with the move by 4A to the Epic Games store. So much so, that there was a large portion of the player base willing to boycott the game simply because of the exclusivity deal with Epic Games. It wasn’t solely about the exclusivity, it was about the deal coming to light mere weeks before the game’s release date. Not to mention one employee tweeting about the “whiny gamers” and going further to say “If this is the kind of reaction we get from PC gamers then we just won’t make PC games anymore”.
I know I’ve been rambling a bit about these two companies but I swear it will tie together…
Okay, so as I said this post is a companion piece to the one from last week about the decline in Triple-A Publishers, which is becoming more and more prevalent as the months tick by. Activision Blizzard is facing a huge dip in their stock prices and only have two major properties due out this year, which means they’re going to double down on their predatory monetization schemes. Already, they’ve introduced gambling style pay to win loot crates in Black Ops 4. This is all coming after they laid off hundreds of employees, signing a new CFO as well as coming months after the FTC (Federal Trade Commission) has launched an investigation into loot boxes in games. Here is an article by Kotaku regarding the subject:
So, with these large companies now under a microscope and bleeding money on crumbling practices that gamers are no longer accepting, the opportunity comes for smaller independent companies to make an impact. Some of the greatest games in the last 20 years came from small independent companies that partnered with large Publishers to expand their product, Halo is a prime example. Bungie was a relatively unknown company before it partnered with Microsoft to make the first Halo game and it spawned one of the largest franchises in gaming history. But the likes of CD Projekt Red and Epic Games show that while things may be easier with having a massive Publisher to help push your game, it’s not necessary and you can make quality products with a commitment to the work and fans rather than the almighty dollar. Companies like Paradox Interactive, Mojang, Rovio, Paladin, HALFBRICK, MDHR and SpaceChem prove that you can make quality products that fans love, without the interference of large Publishing companies. If more studios follow the examples set out by CD Projekt Red and Epic Games we could be seeing a large influx of quality independently developed games in the coming years. This influx could gift us with some great new franchises that might last for years to come and help to show Triple-A companies that they need to stop using the gaming community like an ATM machine with no limit.
Any questions or comments leave them down below! See you next week!